solutions
START WITH THE ROOM'S LIMITATIONS
Every venue has a limit it works around: a programme it turns down, a seat it apologises for, a rehearsal that never matches the night. These are the limits Amadeus Acoustics removes, and what a venue gains when they choose us.
AMADEUS ACOUSTICS PROVIDES PERFECT ACOUSTICS FOR ANY LOCATION AND ANY EVENT
Whether inside a theatre, open-air concert hall, full orchestra or one-man show, Amadeus provides the perfect acoustic setting that can be changed at any moment by the push of a button.
Opera house
The struggle: Deep pits swallow orchestral sound and isolate singers, but strict heritage laws prohibit structural changes.
What we do: An invisible active acoustic system creates a virtual orchestra shell, electronically synchronising the pit and stage without altering the listed interior.
What you get: Flawless foldback for performers, preserved architecture, and a perfectly calibrated balance of soloists, chorus, and orchestra—delivering unified, optimal sound to every seat, from the front stalls to the highest balcony.
Immersive experience
The struggle: The visuals are spatial and the sound is not. Audio sits in a stereo pair while the picture moves around the room.
What we do: Object-based spatial audio that follows the visual cue. ART::IP takes position data and show control alongside the systems you already run, so sound and image move together
What you get: A single cue list where audio, video and lighting share the same timeline.
Theatre
The struggle: Dialogue dies in the back third of the house. Musicals need presence the room was never built for.
What we do: Tuned intelligibility across every seat, plus a longer acoustic on demand when the programme calls for music rather than speech.
What you get: Every word lands, in row two and row twenty-two, with no visible microphones on the performers.
Open-air
The struggle: There is no room. Every reflection the audience should hear has to be created from nothing
.What we do: A designed acoustic built for the site, deployed on mobile hardware and struck at the end of the run.
What you get: Festival and outdoor programming with the presence of an indoor hall.
Multi-purpose hall
The struggle: A conference on Monday and an orchestra on Saturday, in a room that can only be acoustically right for one of them.
What we do: Presets per programme, recalled by your own staff in seconds. The room changes character between events instead of compromising across them.
What you get: More bookable event types from the same building, and fewer refusals to promoters.
Rehearsal rooms
The struggle: Acoustically “dry” rehearsal rooms leave ensembles unprepared for the main stage, while playing at full volume in confined spaces risks hearing damage.
What we do: We recreate the performance venue’s acoustic signature within smaller rooms. This optimises cross-communication while actively controlling overall acoustic strength to protect musicians’ hearing.
What you get: A safer rehearsal environment, seamless transitions to the final venue, and significantly reduced adjustment time during dress rehearsals.
FITS YOUR SETUP
It works with what you already have.
Amadeus ART integrates seamlessly with the AV infrastructure a venue already runs, and stays brand agnostic. It works with quality loudspeakers, microphones, amplifiers and mixing desks from every major manufacturer, while talking to the control and show systems already in the rack.