MOZART’S REQUIEM IN THE HALLE E
When stage director Romeo Castellucci and Ensemble Pygmalion’s musical director Raphaël Pichon premiered their interpretation of Mozart’s requiem at Festival d’Aix-en-Provence in 2019, the work was instantly praised as a modern masterpiece.
However, when Wiener Festwochen contracted Amadeus Active Acoustics to reconfigure Museumsquartier’s Halle E for the spring 2022 prologue of the festival, it was unclear how the Requiem, which had won over outdoor audiences, would be successfully adapted to the festival’s chosen indoor venue.
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Picture: Pascal Victor, Art Com