The Kuppelsaal is Germany's largest concert hall with a capacity of 3500 seats. AMADEUS is used to add clarity, proximity and loudness to this huge and reverberant space. The opening night Sir John Eliot Gardiner conducted the London Symphony Orchestra and was intrigued by the result. He knew the hall from the past and was impressed how well every nuance transmitted to the audience and to the fellow musicians.
Rather than replace its landmark 1980s CU Center, Concordia University Irvine rebuilt it around a deliberately dry room and let Amadeus ART Acoustics create everything else. Today, the same round hall moves from a quiet chapel service to a full symphony orchestra at the touch of a preset.
For Letea (Cantos ante la distopía), Colombian company La Quinta del Lobo needed sound that didn't just fill the room, but built it. Discover how our ART immersive system, delivered by Aeris Group at Bogotá's Teatro Mayor Julio Mario Santo Domingo, blended a moving live band with a 3D jungle soundscape in our first Latin American installation.
We are pleased to share our latest installation at Stockholm City Theater (Kulturhuset Stadsteatern), specifically for the main stage: Stora Scenen. The theatre recently undertook a comprehensive technological modernisation, culminating in the installation of a next-generation immersive sound system: Amadeus Immersive Sound.
